PUBLICATIONS


PHOTO DISTRICT NEWS
"Lydia Panas' ability to capture and convey the complexity of human
relationships has made her a rising star in contemporary portraiture."
Conor Risch  


 

LENSCRATCH
Aline Smithson
"Lydia Panas lives on a farm in Pennsylvania, but her work has become an international phenomenon.
Just this year, she has exhibitions in Poland, Italy, Germany and China, many in the U.S. and her work
has appeared in just about every major publication, including The New York Times and Photo District News.
Her masterful psychological portraits, captured with a view camera,
have resonated with collectors and curators in a significant way."
http://lenscratch.blogspot.com


 

HARVEY BENGE
"American photographer Lydia Panas makes pictures with a rich conceptual and
visual intensity.  Her particular gift is an ability to make portraits that rise above the
usual cliched seen it all before variety.  Her color palette is almost gothic, dark
and mysterious.  The work perplexes and fascinates drawing you in, there is
an almost urgent need to know more about her subjects".        
October 7, 2015
http://harveybenge.blogspot.com


 

STYLEWEEKLY.COM
"...Panas' young woman in three-quarter pose is arresting.  Lips parted, freckled fair
skin, and a tangle of strawberry blonde curls, "Meredith" seems simultaneously
vulnerable and defiant as she leans out from the dark blue backdrop."
http://www.styleweekly.com/richmond/icons-alone/Content?oid=2221932
July 7, 2015



HYPERTEXT MAGAZINE
October 23, 2015
www.hypertextmag.com



LENSCRATCH
"The mark of a great photographer is when their subject reveals an essence not
intended for the camera, but instead pulls back the curtain on who they are, if only
for a second. I have been a fan of Lydia Panas' portraits over the years - Her exploration
of family, of relationships, of the connectedness to the earth-and have appreciated the
truthfulness and authenticity of her portraiture. Her new project, Longing in Black, is about
an intimate connection between the photographer, who feels like a "soul-catcher",
and the sitter, who wants their soul to be captured."  
Aline Smithson, August 5, 2015
http://lenscratch.com/2015/08/lydia-panas-2/

 

 

LENSCRATCH
"Lydia Panas is one of the great portrait photographer bringing layers of psychological nuance to her images.:
Aline Smithson   Febraury 26, 2013
http://lenscratch.com/2013/02/success-stories-lydia-panas/

 


READING EAGLE
'Lydia Panas' 'ghosts that linger and memories that endure at Albright College'
"These photos need to be seen en masse for their full dramatic effect; their unified treatment
of subject matter and skilled photographic technique.  As pensive portraits of the past, she speaks to
the sense of the forlorn in each of us that harbors something deep, intense and strangely beautiful."
Ron Schira, June 7, 2015

 

 

RAIN TAXI REVIEW OF BOOKS
"These are powerful images, and they conjure palimpsests of insights into our shared
cultural condition.  After viewing them, you'll feel the mark of Abel on you too, however
ineffable it might be."
 Kelly Everding
Volume 17 NO. 3, Fall 2012 (#67)
http://www.raintaxi.com/online/2012fall/print.php

 




HYPERALLERGIC
"There is a complicated range of emotions depicted in Panas' photographs, and all
are presented with an honesty and nakedness that is almost heart-breaking to page through.
...without judgement, we are left looking at our own emotional reflections, staring into faces
expressing all too familiar vulnerability, uncertainty, sadness, curiosity, love and tenderness."
Alissa Guzman
http://hyperallergic.com/57104/lydia-panas-the-mark-of-abel/


 

PHOTO EYE MAGAZINE
Best Books Nomination
"Exceptional portraiture that is evocative, compelling, timeless.
Each image gradually peels the layers of psyches belonging to family
members and friends in her life.  This is a treasure of a book.
Susan Burnstine
http://www.photoeye.com/
http://www.photoeye.com/bookstore/citation

 

 

THE PHILLIPS COLLECTION BLOG
Breaking Through the Facade: What the Hands Reveal in Lydia Panas' "Figs"
"...There is an underlying intimacy between the subject and photographer in this and all the
other photographs in the series, as if Panas has been able to extract each sitter's vulnerability,
breaking through the unreliability of facial expressions and using their subconscious movements
and poses with the food objects to reveal their true emotions and thoughts.
Liza Strelka
http://blog.phillipscollection.org

PORTRAIT SHOW BRINGS PHOTOGRAPHER-SUBJECT ENCOUNTERS INTO FOCUS
http://www.npr.org/2013/12/26

 

GUP
"Flipping through the Mark of Abel for the first time is a little bit like a first date.
It will take longer, more effort, a second chance, to dig and scratch at the surface
to discern what the person truly holds.  It implies a commitment to decipher-and-
surrender to -their masks, and the task becomes engrossing, as almost each
photograph seems to carry a plethora of secret emotions and subplots begging
to be interpreted.  If you look long enough into the eyes of her subjects,
the staring down contest fades away and you start to discern what makes
each person unique, you imagine the cracks in the wall of their severity, and
you end up moved to the core by their frailty.
Marie - Charlotte Peze
http://www,gupmagazine.com


 

FLAVORPILL
"Panas' somber, lushly-colored group portraits in The Mark of Abel, her first published book of photography,
reveal the unspoken relationships an dynamics between family members.  Her images, exhibited
this month at Rayko are by turns fascination and haunting, mysterious and deeply revealing."
Bonnie Chan
 

 

ELIZABETH AVEDON BLOGSPOT
http://elizabethavedon.blogspot.com/2015/05/lydia-panas
May 23, 2015

 

 

THE DAILY BEAST
BEST COFFEE TABLE BOOK OF 2012
"Lydia Panas' group portraiture...represented in this monograph suggests a
dark awkwardness that while not impermeable is haunting by way of an oblique subtlety." 
Robert Birnbaum
http://www.thedailybeast.com/galleries/2012/12/09/

 

PDN PHOTO ANNUAL 2012, The Year In Photography
Photo Books/Winner's Gallery
http://pdnphotoannual.com/gallery/2012/

 

SIXONEZERO MAGAZINE
The Fundamental Artist
"Her appreciation of nature's essentials runs deep and is felt on her farm in Kutztown, PA.
After decades of tree growth, the family home now sets amongst a canopy of woodland. It
has served as a splendid backdrop for so many of her photographs.  The early experience
she had, reinvigorating the countryside with her father, echoes many of thematic connections
that she explores within the frame of her lens today.
Marc Londo
http://sixonezeromag.com/the-fundamental-artist
 

 

CONSCIENTIOUS BLOG
Jorg Colberg
"What I would really like to stress is the visual richness of the work and the connections these
group portraits force upon the viewer.  They will pull you in, whether you want it or not, and that
certainly is something that any photographer can only wish for.  The work is also intensely beautiful.
The Mark of Abel - Highly Recommended"
http://jmcolberg.com
 

 

LOUPE / Journal of the Photographic Resource Center
Jennifer Urhane
"The more one looks at Lydia Panas' photographs, the more one realizes
what a nuanced version of the contemporary portrait they are.  Though
this work could have been another series of blankly staring faces, instead it
is a quiet and careful observation of human behavior and feelings.  Among
numerous photographers working in the so-called deadpan aesthetic, Panas
stands out for her subjects that are not unemotional of detached.  Where other
portraits quickly betray their emptiness, Panas' draw in and sustain the viewer
because of their layered content and striking beauty.
http://www.bu.edu/prc/newletters/


 

DEAR DAVE / ISSUE 07
Barbara Pollock
"The pictures are a remarkable accomplishment, especially for a parent.
After all, every parent is an archivist, holding up a camera to try to capture posterity.
In contrast, Panas lets her children reveal themselves gradually for her photographs
and in so doing, reveals that the camera cannot stop the clock and hold back time.
Her children, standing on her lawn for the minute, will soon leave the nest and enter a
more sophisticated, more urban world.  Or at least that's what it feels like from these
pictures.  But the world of their futures will not be more complex or more troublesome.
They have already experienced the full range of human challenges - the challenge of
getting along with siblings and the challenge of bonding with their peers -sometimes
failing at these basic primal experiences.  All of this can be seen in these photographs,
so different and so much more poignant than your average photo album."
http://deardavemagazine.com/

 

 

VASA JOURNAL ON IMAGES AND CULTURE
"...these photographs drew my attention at first sight - something elusive and mysterious
resonated from the faces...  They look timeless and full of existential meaning.  It was
hard to look away."
"The Mark of Abel", Kehrer Verlag, 2013
 Natalya Reznik
http://vjic.org

 

 

 

BLINK Issue 2
Twelve Page Feature Story / Interview with ARam Kim
March 2011, South Korea
http://www.blinkreflex.com/

 


LENS MAGAZINE
Ten Page Cover Story
Interview with Algai Wang/ March 2010 / China


BLOW MAGAZINE
Issue Seven 
Dublin, Ireland
http://www.blowphotomagazine.com



FRANCE PHOTOGRAPHIE
Gilbert Coutelet / December 2012


De L'AIR
France / November 2012

ZWIERCADEO, Warsaw, Poland
Kzrysztof Wyszomirski, Five Page Feature Story

 

PDN Pulse 
Celebrity, Fine Art PhotoPlus Expo 2012
On Making Compelling Portraits
David Walker 
http://pdnpulse.com/2012/10/ppe-2012

 

 

KRD, SOBAKA
Russia
 

 

 

LANDSCAPE STORIES / PORTRAITS
http://www.landscape stories.net/issue-14

 

BC ARTS INSIDER 
Randl Dube 
http://bcartsinsider.wordpress.com/2012/09/27

 

 

PHOTO DISTRICT NEWS / EXPOSURES
Conor Risch 

 

PHOTO INTERNATIONAL
Hans Michael Koetzle  / Germany

 

 

THE MORNING CALL
Steve Siegel 
Photographic Series Goes Beneath the Skin
"The evocative, often disarming photographs of Kutztown photographer
Lydia Panas reveal that behind most smiles lie uncertainty and self-consciousness.
Her subjects speak to us not with words, but with distracted gazes and enigmatic body language,
unconsciously revealing the flaws and fears that make us so wonderfully,
gloriously human.  More than portraits, they are precarious character studies.
http://www.mcall.com/entertainment/arts/museums




FLAKPHOTO FEATURE
George Slade 
State of Nature: Encountering Lydia Panas Deeper in the Woods
"The mesmerizing gazes, frank self-presentation, and utter absorption in the
photographic exchange propels Panas' standers (can't call them sitters, can we?)
from within their contained frame and through the fourth wall of spectatorship
into a discomfiting engagement within our space of viewing."
http://flakphoto.com/


 

SILVER EYE CENTER FOR PHOTOGRAPHY
"Curator Ellen Fleurov invited more than forty art and photography professionals
from the state - curators, writers, gallery owners, publishers, teachers and bloggers -
to nominate artists they felt were producing innovative and exceptional work.
From rising photographers whose vision will shape the future of the creative landscape to
internationally - known figures such as William Larson and Lydia Panas, this exhibition
attests to the extraordinary talent living and working across our state."
 

 

7 X 7 SF
San Francisco, CA
...Four Captivating Solo Art Shows
http://www.7x7.com/arts/culture

 


DODHO MAGAZINE
Barcelona, Spain
https://dodho.com/after-sargent-by-lydia-panas/

 

GENTI DI FOTOGRAFIA
Anino XIX N. 56 / Fall 2013
Modena, Italy
http://www.gentidifotografia.it

 


SAN FRANCISCO WEEKLY Calendar
BEST OF... Michael Singman-Aste / September 13, 2012
http://www.sfweekly.com/2012-09-05/calendar/sibling-rivalry/



LANDSCAPE STORIES Adolescence Issue / September 2012
http://www.landscapestories.net/issue-09?lang=en

 

ELIZABETH AVEDON BLOG
http://elizabethavedon.blogspot.com/2012/09/lydia-panas-photographs.html

 

WALL STREET JOURNAL BLOG
Rebecca Horne
http://blogs.wsj.com/photojournal/2012


 

NEW YORK TIMES BLOG
http://6thfloor.blogs.nytimes.com


 

NEW YORK TIMES MAGAZINE
A Drug for Down Syndrome
http://www.nytimes.com/2011



THE NEW YORK TIMES MAGAZINE
The Last Decision, Darshak Sangavi
www.nytimesmagazine.com

 

1000 WORDS BLOG
Tim Clark
Her fascination with the transition period between childhood and adulthood
and related problems with self-definition is what distinguishes Panas
from other artists...if one takes a closer look at the images, the seemingly normal
group portraits of family and friends turn out to be engaging psychological portraits.
http://1000wordsphotographymagazine



NEWCITY ART
After Classical Portraiture
Michael Weinstein, Chicago
http://art.newsity.com/2012/95/15/



POPULAR PHOTOGRAPHY
Planning Portraits
Peter Kolonia
http://www.popphoto.com/how-to/2012/057-tips-fo-planning



PHILADELPHIA CITY PAPER
"...her subjects have a haunting power over viewers, making us painfully aware that
we are selling into lives that we may not have full permission to see.
Nina Willbach, 2012
http://www.citypaper.net/blogs/criticalmass/BOOKISH-



ART DAILY
Highly charged psychological portraits
Deceber 7, 2011
http://www.artdaily.org/index.asp



FLAKPHOTO
http://www.flakphoto.com/



INFORM, ENLIGHTEN, ENTERTAIN
Life: The Year's Best
Anne Moore, Chicago
"Haunting me are the lush, eery photographs of American children,
teens, couples and families in Lydia Panas' first monograph,
The Mark of Abel.
http://www.annemoore.net



THE MORNING CALL
Steve Siegel
"Somewhere between conceptual art and portraiture lie the evocative
and often disarming photographs of photographer Lydia Panas.  Her subjects
seem at once familiar yet somehow disconnected, their eyes watching us as
we watch them. They are enigmas that beg for interpretation, with gazes
revealing as much- or as little- about themselves as those who view them.
http://articles.mcall.com


fotoMAGAZIN / EDITION 
SHOOTING STARS 2011 
Manfred Zollner
"First portfolio only, XXL sized fotoMAGAZINR EDITION
at German newsstands including exciting work by Lisa M. Robinson,
Lydia Panas, SImen Johan and many more!
fotomagazin.com  

 


MONTHLY PHOTOGRAPHY Magazine
Essay by Sujong Song, South Korea
 

MONTHLYPhotographyWEB.jpg

FRACTION MAG/ The Dress Show / Melanie McWhorter
http://www.fractionmag.com/group2/group2.html